Multimedia Art Museum, Moscow | Exhibitions | Gerard Uferas - Selected works
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Gerard Uferas
Selected works

Gerard Uferas.
Jerome Dreyfuss.
Pret-a-porte Collection, autumn – winter 2000/2001. 
February, 2000.
© GERARD UFERAS/RAPHO Gerard Uferas.
Thierry Mugler.
Haute Couture Collection, autumn-winter 1999/2000. 
July, 1999. 
© GERARD UFERAS/RAPHO

Gerard Uferas. Jerome Dreyfuss. Pret-a-porte Collection, autumn – winter 2000/2001. February, 2000. © GERARD UFERAS/RAPHO

Gerard Uferas. Thierry Mugler. Haute Couture Collection, autumn-winter 1999/2000. July, 1999. © GERARD UFERAS/RAPHO

Moscow, 27.03.2009—27.04.2009

exhibition is over

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For the press

Gerard Uferas is one of the most outstanding and celebrated contemporary French photographers. From 1984 onwards he has contributed to publications including Liberation, Telerama, Fortune, Business Week, Time magazine, Beaux arts magazine, Time Independent magazine, New York Times magazine, Jardin de mode, Das Magazin, Le Speccio della Stampa, Marie Claire (Italy), Le Monde, View Point, L’Officiel, Io Donna and Fashion.

Since 1993 he has been a member of the Rapho agency. As well as his career in photojournalism Uferas works as a portraitist and pursues personal projects that have culminated in book publications and exhibitions in different countries. His work features in various museum collections such as the Maison Europeenne de la Photographie in Paris, London’s National Gallery, the Lausanne Musee de l’Elysee and the Henkel Collection in Germany.

Gerard Uferas has received several international awards and prizes for his work:

1987 — Art Directors’ Prize, Paris

1990 — Prix Villa Medicis hors les murs, Paris

1991 — Arts Journalism Award, London

1997 — Art Stories 2nd Prize, World Press Photo, Amsterdam

1999 — SCAM Photography Portfolio Grand Prix, Paris

Gerard Uferas was universally acclaimed for his photographic series of the world’s major opera theatres a few years ago. His recently published book ‘The Fabric of Dreams’ presents Uferas in a new role, as fashion photographer. The preface was written by Christian Lacroix and Sarah Mower.

With the support of

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